Hey guys I just got the LG C2 83” so Long with an OPEN BOX DENON X4700H for $1100 is that a good deal? It works perfectly. I have a 5.1 setup at the moment. I also have an Nvidia Shield that I use Plex with and also have a PC.
I also JUST bought a DENON X4700H
My question is my TV is capable of doing 120Hz.
My understanding is that the X4700H only has 1 4K 120Hz connection.
Can I pass through the audio and connect my devices to my TV and have the reciever output the audio instead of connecting my devices to the reciever? Is there a big difference I still want to output Dolby Atmos and 4K @ 120Hz on every device I have connected at the minimum if the video is capable.
I believe the Shield is only 4K @ 60Hz compatible.
Also my Nvidia shield plex media does play Atmos and Dolby Vision but the reciever switches back and forth or has trouble playing the audio consistently it breaks or pauses and I can tell the reciever is switching between Atmos and DD+ or something along the lines the audio is TrueHD atmos with my 5.1 setup. I also tried this with a Sony AN1000 and had the same result i don’t know what the issue is possibly Nvidia shield issue?
Is there a huge difference connecting my devices to my TV and using eARC instead of connecting them to my AVR?
Also was the DENON X4700H at $1100 a good deal? I’m getting the calibration mic from DENON soon it was open box from Best Buy. I want to be able to expand to 7.2.4 in the future with an AMP.
Thank you!

I have a boss katana and it is pretty versatile but I’m not quite sure what settings to use so if anyone else has a boss katana please help me out. I also have a BOSS blues driver.

It's been quite a while since I've recorded anything, and I'm currently experimenting with the sounds I can get. Right now, I'm sending a miced guitar amp from an SM-57 -> tube pre-amp -> Yamaha MG10XU mixer -> PC via USB connection.
When I listen to the recording via the MG10XU monitor & studio headphones (PC sends a signal from USB back to the unit), it sounds PHENOMENAL. However, if I listen to it via my PC's sound card, it sounds really flat and unalive (Would not want any track to sound like this).
So, my question is as follows: which signal is more aligned with what the recording actually sounds like - the mixer's monitor or my PC's sound card? When I built this PC, I opted to use the motherboard's built-in realTek sound card - as opposed to purchasing a separate sound card (I've always recorded with a decent sound card). Could it be that the sound card really is this bad? I've listened to some of my previous recordings on the monitor vs. sound card, and I do still hear a difference between teh two. I just want to make sure that the monitor isn't somehow changing the sound, because I'd like to mix as close to the true sound as possible.

Hello everyone,
I'm having a bit of trouble and need some help. While gaming I’ve been getting a lot of stuttering and fps drops and I don’t know why. I downloaded GPU-Z to see whats going on and for some reason I'm having Pwr, vRel and VOp come up under PerfCap Reason. I don't understand why and can't seem to find anything online on how to fix it. If someone could give me some insight on what's going on it would be greatly appreciated. My specs are below. Thank you.
-ZOTAC GAMING GEFORCE RTX 3070 Ti AMP Extreme HOLO
-Ryzen 9 7950X
-2x 32gb G.Skill Trident Z5 NEO RGB Series (AMD Expo)
-ASUS ROG STRIX X670E-E GAMING WIFI
-Cooler Master MWE Gold 1250W V2

One of the great things about living in Singapore is its proximity to exotic locations, so I'm writing to you on a weekend break in idyllic Bali.
This week's main lesson is another practice-based one that will get your creative juices flowing.
Quote Bass playing is about understanding the space between the notes and using it to create tension, release, and musical depth. - Geddy Lee

Hey everyone! Wanted to share this new release of mine I’ve put out.
Check out this story driven Drum and Bass track about a young bachelor exploring a new book his mentor gave him.
Stay dreaming,
Aiden Aether

I've got a guitar student I'm trying to help get into the church worship-band thing. I play with this particular church every month or so in a paid capacity, and would like for the student to "Sub" for me and eventually take my place.
The student is talented, smart and a hard-worker and I want to make sure they are reasonably equipped.
Their church band operates at low volume - the guitars and bass use modelers, the drummer is on an electronic kit of some sort and so on.
I am trying to help the student pick out the best option for getting reasonable tones at as low a price as possible. I'd love to recommend a HX stomp but that's way out of their price range - I was looking at the older Line 6 products, like a Pod XT live or a POD HD 500 or something - are there any other or better ideas?

Hey everyone! Wanted to share this new release of mine I’ve put out.
Check out this story driven Drum and Bass track about a young bachelor exploring a new book his mentor gave him.
Stay dreaming,
Aiden Aether

This is the best tl;dr I could make, original reduced by 75%. (I'm a bot)

The governor of the besieged Belgorod region, Vyacheslav Gladkov, said on Sunday that clashes again erupted on his side of the border, and acknowledged for the first time that pro-Ukrainian forces had taken Russian prisoners of war during incursions.
The pro-Kyiv Russian Volunteer Corps and the Freedom of Russia Legion called on the Belgorod governor to meet and retrieve captive soldiers.
Ukraine has intensively shelled Russian settlements on the border recently, forcing thousands to flee to the regional hub of Belgorod.
A man identifying himself as the commander of the Russian Volunteer Corps said he would hand over the soldiers in exchange for a meeting with Governor Gladkov.
Ukraine officials have predicted the rise of what they call forces opposed to Russian President Vladimir Putin.
Ukraine has consistently denied responsibility for attacks on Russian soil, but presidential adviser Mykhailo Podolyak said on Sunday the situation in the border areas "Should be viewed as the future of Russia".

Summary Source FAQ Feedback Top keywords: Russian^#1 Gladkov^#2 soldiers^#3 border^#4 group^#5
Post found in /worldnews.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.

I have a 75g currently stocked with 2 chromis, a clown pair, an orchid dottyback, and a watchman goby. Fish store got a chalk bass in and I absolutely love that fish. Will he get along with the dottyback? I haven't seen much aggression with the other tank mates. Just don't want to take a risk.

Hello, and welcome to Music’s Biggest Night!
That’s right, it’s the GRAMMYs. The year is 1994 and our category is Best Alternative Music Album. We’ll be rating each of the five nominees on Indieheads, but before we get to the nominees, a quick word about rates.
Hey, quick question, what are rates?
Obviously, if you're familiar with the process, skip this. But if you're new, I'll explain so this doesn't seem like a wild block of text!
Rates are a subreddit game in which a user scores a group of songs on a scale from 1-10, with each individual also given a single 11 and a single 0 to be used exactly once per rate. They will then message their ballot to the rate host, who will tally up all the points and then reveal the final results over a weekend, eliminating songs one by one until the last track remaining wins the rate and bragging rights forever. While there's just a bit more to know, I feel this is the basics of what you'll need to understand what's going on. I do recommend this video made by our popheads brethren to get a fuller picture; while some of the info applies specifically to the way popheads do their rates, the overall format is similar.

Introduction

The GRAMMYs are awards presented by The Recording Academy of the United States to recognize outstanding achievements in the music industry. The name derives from the trophy, which is shaped like an old-fashioned gramophone. The awards celebrate a variety of categories, but we’re going to be looking at Best Alternative Music Album or, as it was called at the time, Best Alternative Music Performance. The question of what “alternative” really means can be debated forever, but the original intent of this award was to celebrate non-mainstream rock albums which were heavily played on college radio. The category first appeared in 1991, so in 1994 the award is still pretty new.
And now, let’s meet our nominees!

Belly - Star

Belly are the act here that seem discussed least frequently on Indieheads, so I’m excited to see what everyone thinks of them. By the time of starting Belly, Tanya Donelly (lead vocals and rhythm guitar) had already been in two other classic indie rock bands. She was a co-founder of Throwing Muses with her step-sister Kristin Hersch, contributing vocals and guitar for the band’s first decade, though she’d only get a handful of songs per album. Donelly would later start The Breeders with Pixies bassist and vocalist Kim Deal. The Breeders’ debut, Pod, featured Deal as the primary songwriter because existing record contracts prohibited the two from sharing primary writing credits. While they originally intended to alternate albums, Tanya had begun to form Belly by the time it was her turn to do a Breeders album. She recruited Fred Abong (bass) and brothers Tom (guitar) and Chris (drums) Gorman as they’d all known each other while going to high school in Rhode Island.
Belly co-produced most of their 1993 debut Star with Tracy Chisholm. Gil Norton, who’d previously produced Throwing Muses’ self-titled debut, produced four tracks, including singles "Gepetto," "Slow Dog," and "Feed the Tree." "Feed the Tree," one of the album’s highlights, would be the band’s highest charting hit, reaching 95th on the Billboard Hot 100 and topping the Modern Rock Chart. Star is an effective fusion of alternative rock with jangle pop, dream pop, "haunting" folk, and even some light country influences. At the 1994 GRAMMYs, Belly were also up for Best New Artist with Blind Melon, Digable Planets, and SWV, ultimately losing to R&B singer Toni Braxton. Belly released a sophomore album King in 1995 and Donelly released several solo albums before reuniting with the King lineup to release a third album in 2018. While Star may not have achieved the canonical stature of some of 1994’s other nominees, it is nevertheless a very enjoyable release from a strong songwriter who’d finally gotten the chance to make an album-length statement of her own.
Are Indieheads gonna feed the tree? Will this be an album to die for?
Tracklist:

1. Someone to Die For
2. Angel
3. Dusted
4. Every Word
5. Gepetto
6. Witch
7. Slow Dog
8. Low Red Moon
9. Feed The Tree
10. Full Moon, Empty Heart
11. White Belly
12. Untogether
13. Star
14. Sad Dress
15. Stay

Nirvana - In Utero If you were wondering where “Heart Shaped Box” was in the Guitar Hero Rate, well I’ve got a treat for you!
Kurt Cobain (vocals and guitar) and Krist Novoselic (bass) met while attending Aberdeen High School in the late 1980s. They shuffled through various names, ultimately deciding on Nirvana because Cobain wanted a name that sounded beautiful and nice instead of mean and raunchy. In their early years, they worked with several different drummers, recording 1989’s Sub Pop debut Bleach with Chad Channing on drums. Channing left the band as they worked on their follow-up to Bleach. Kurt and Krist met drummer Dave Grohl days after he’d moved to Seattle following the break up of his Washington DC band Scream. The addition of Dave solidified Nirvana’s classic lineup. The trio began seeking a major label to buy them out of their Sub Pop contract as they were dissatisfied with the label’s lack of promotion and distribution of their debut. They eventually signed with DGC Records per the recommendation of Sonic Youth’s Kim Gordon. Upon signing, they began work on their major label debut, Nevermind, with producer Butch Vig. 1991’s Nevermind was an unexpected success, bringing grunge and alternative rock to the mainstream and even surpassing Michael Jackson on the Billboard albums chart.
In the aftermath of Nevermind’s success, Cobain felt he needed to reclaim his punk ethic. Wanting to depart from Butch Vig’s slick production on Nevermind (don’t worry, we’ll still be hearing from Vig a little later), he sought to work with Steve Albini. Albini was pretty famous in the underground for his work as frontman for Big Black and various production work, including PJ Harvey’s Dry, which he sent a copy of to give Cobain an idea of the acoustics in his studio. Albini dismissed Nirvana as "R.E.M. with a fuzzbox" (more on R.E.M. soon!) but decided to work with them because he felt bad for them, recognizing them as "the same sort of people as all the small-fry bands I deal with." The band pushed for minimal label oversight and recorded In Utero fairly quickly, wrapping recording sessions in as little as 13 days. The album was noisier and more abrasive than Nevermind, resulting in much dispute between the band, Albini, and the label. Cobain sought to make the kind of record he’d enjoy owning as a fan and began having second thoughts about the sound when listening to it at home. The press picked up on conflict about the album’s sound. The band denied this and even DGC president David Geffen called Newsweek to explain they would release whatever Nirvana recorded. Behind the scenes, the band tried to fix the album’s sound in the mastering process, which Albini was strongly against, though he’d later supply an alternate mix for the album’s 20th anniversary re-release. R.E.M producer Scott Litt was brought on to remix “Heart Shaped Box” and “All Apologies” which were intended to be the album’s singles.
In Utero was released in September of 1993 following a low-key release strategy which released “Heart Shaped Box” as a promo-only single to various rock station formats but not Top 40. Walmart and K-Mart initially refused to stock the album due to its back cover and the title of the song “Rape Me.” (A content note on that song, while it is interpreted as commentary on the invasive music press, it was intended to be a lyrically literal anti-rape song from the perspective of a victim. As this is a rate, you can score this song however you see fit, but I hope it goes without saying that everyone should please be respectful of this subject matter in their comments.) Despite In Utero’s abrasive sound and reduced mainstream promotion, the album still debuted at number one on the Billboard album charts and was well-received by critics. The music often hits harder and faster than Nevermind, containing more of the “punk” feel that Cobain was aiming for compared to the grunge of Nevermind and the band’s Seattle contemporaries. Check out this MTV clip if you’d like to see how college students in 1993 received this one. (https://www.youtube.com/watch?v=fiwhwy7S4qA) The band toured America shortly after In Utero came out and embarked on a European tour that was cut short as Cobain suffered from a drug overdose. A couple weeks later, Cobain died by suicide. As with the subject matter of “Rape Me,” I want to request that everyone is respectful of this in their comments, I will ask for edits (or omit comments myself) if they are inappropriate. Despite the tragic ending, Nirvana is still seen as one of American and alternative rock’s most important bands and In Utero remains highly regarded to this day.
Will our comments be all apologies? Are the results of this rate gonna be, uhhh, dumb?
Tracklist Serve the Servants Scentless Apprentice Heart-Shaped Box Rape Me Frances Farmer Will Have Her Revenge on Seattle Dumb Very Ape Milk It Pennyroyal Tea Radio Friendly Unit Shifter Tourette’s All Apologies
R.E.M. - Automatic for the People If there’s a band who can rival Nirvana’s stature in the American rock canon, it’s gotta be R.E.M. They are often cited as one of the first “alternative” rock bands and were important for the college radio format. Formed in Athens, Georgia in 1980, Michael Stipe (vocals), Peter Buck (guitar), Mike Mills (bass), and Bill Berry (drums) released 5 albums with independent label I.R.S. Records, evolving from a jangle rock sound on their early albums to a louder, more anthemic sound on their final record for the label, Document. After “The One I Love” became their first mainstream hit, the band signed to Warner Brothers, kicking off a second act that resulted in yet another 5 album run of great music.
At the start of the 90s, R.E.M. opted out of touring and became a studio band. The band recorded demos for the songs “Drive,” “Try Not to Breathe,” and “Nightswimming” at Prince’s Paisley Park Studios while mixing their 1991 album, Out of Time. Out of Time was a huge success, arriving as alternative rock was becoming mainstream. It spawned the massive single “Losing My Religion” and even ended up winning the GRAMMY award for Best Alternative Music Album in 1992. After concluding some promotional duties in early 1991, the band returned to the studio to continue work on what would eventually become Automatic for the People. This would be the fourth of six records the band would produce with Litt. The band traded off instruments in the studio, with Buck playing the mandolin famously featured on “Losing My Religion,” Mills playing piano or organ, and Berry playing bass. Their initial attempts to make a harder rocking follow-up did not pan out, as the band found they were writing better without drums. The material began to take on a more melancholic tone. The lush orchestration of Out of Time is rendered in a somber greyscale, with arrangements contributed by Led Zeppelin’s John Paul Jones. Lyrically, the album muses on loss and mourning, prompting rumors that recently balding Michael Stipe was dying of cancer or AIDs. Luckily, he was not but that is the lens through which some critics and listeners received this work. The album also finds room for political commentary, most noticeably in “Ignoreland” which pushes against Republican politics of the time, but also in opener “Drive” which calls back to the group’s work with the Rock to Vote movement, for which they added a petition on the longbox packaging of Out of Time.
Automatic for the People released on October 5, 1992 (gotta love the GRAMMYs odd eligibility window) debuting at number 2 on the Billboard 200. Unlike its predecessor, it never quite reached the top spot, thanks to Garth Brooks. Six of the album’s 12 tracks were released as singles including “Drive,” “Everybody Hurts” which has unfortunately been watered down through years of ironic use in comedies, the cryptic, Andy Kaufman referencing “Man on the Moon,” and “Nightswimming,” an emotional piano ballad that has become a fan favorite. The album was critically acclaimed upon release and, while perhaps not as fun as something like Murmur, this nocturnal bummer is regarded by many as one of the band’s masterpieces.
Will everybody hurt? Are R.E.M. going to get a raw deal?
Tracklist: Drive Try Not to Breathe The Sidewinder Sleeps Tonite Everybody Hurts New Orleans Instrumental No. 1 Sweetness Follows Monty Got a Raw Deal Ignoreland Star Me Kitten Man on the Moon Nightswimming Find the River
The Smashing Pumpkins - Siamese Dream The Smashing Pumpkins formed in 1988 when Billy Corgan (vocals and guitar, he prefers William Patrick Corgan now though) met James Iha (guitar) while working at a record store in Chicago, Illinois. They performed as a duo with a drum machine, eventually adding bassist D’arcy Wretzky after meeting her at a show by the Dan Reed Network. Jazz drummer Jimmy Chamberlain was recommended by a friend of Corgan’s after the trio were booked to perform at Cabaret Metro under the condition that they’d play with a live drummer instead of their drum machine. With Chamberlain on board, the band’s classic lineup had been formed and their sound began to shift in a harder rock direction.
Siamese Dream, the group’s 1993 sophomore album, expands on their 1991 debut Gish in every possible way. The band switched from Virgin subsidiary Caroline Records to Virgin itself. Butch Vig, who produced Nirvana’s massive Nevermind right after finishing work on Gish, returned to produce the follow-up. Where Gish’s $20,000 budget and month of recording time was “unprecedented” for Vig, Corgan and Vig spent four months on Siamese Dream and went $250,000 over budget. This is what happens when you let Billy overdub everyone else’s guitar and bass parts (something the rest of the band wasn’t particularly happy about) to get as many as 100 guitar parts compressed into one song.
The meticulous studio process paid off, as Siamese Dream was a bigger hit than Gish (peaking at 10 on the Billboard 200.) The band’s influences from metal, dreampop, and shoegaze give the album a layered and unique sound compared to the grungier alternative music of the time. Singles “Cherub Rock” and “Today” have been featured in the Guitar Hero and Rock Band videogame series. While never released as a single, “Mayonaise” has become a fan favorite and won a Rolling Stone poll for best Pumpkins song, beating out singles from Siamese Dream and the band’s follow-up double album Mellon Collie and the Infinite Sadness. Judging from some early discussion since this rate was announced, some of you seem pretty excited to rate “Mayonnaise.” While Mellon Collie took the band to the height of their popularity, Siamese Dream is often regarded as their masterpiece and one of the best rock albums of the 90s.
Will we be sweet sweet to the Pumpkins? The rater in me is the rater in you, I’ll send this ballot over to you
Tracklist: Cherub Rock Quiet Today Hummer Rocket Disarm Soma Geek U.S.A. Mayonaise Spaceboy Silverfuck Sweet Sweet Luna
U2 - Zooropa Formed in Dublin, Ireland in 1976, U2 (Bono on vocals, The Edge on guitar, Adam Clayton on bass, and Larry Mullen Jr. on drums) have become the top-selling Irish musical act of all-time, with an estimated 170+ million records sold. Across the 80s, U2 evolved their early post-punk sound to the anthemic rock of The Joshua Tree. While touring America for that album, the band recorded Rattle and Hum, a hybrid live/studio record (and accompanying concert film) which documented the tour and the group’s fascination with American roots music. Despite the album’s commercial success, most consider it a misguided failure. Even Bono admitted at their final show for the album’s Lovetown Tour that “we have to go away and dream it all up again.”
1993’s Zooropa catches U2 at their most adventurous. 1991’s Acthung Baby and its subsequent Zoo TV tour rebranded the band for the new decade. While they continued working with Unforgettable Fire and The Joshua Tree producers Brian Eno and Daniel Lanois, they updated their sound with influences from electronic, dance, and industrial music. On stage, they dabbled in irony to counter the sincerity of their 80s output with Bono playing characters such as The Fly and Macphisto. Emboldened by the critical and commercial success of this album and tour, they began working on a promotional EP during a break between Zoo TV tour legs. Despite working quickly in the studio, this EP expanded into a full-length album, requiring the band to travel between concerts and the studio in Dublin to finish working on the album during the first month of the “Zooropa” leg.
Zooropa finally arrived in July of 1993 and it shows the band doubling down on their early 90s ideas. The sound of the album, built from loops of soundcheck jamming and leftover sketches from Achtung Baby, ventures even further from traditional rock instrumentation and songwriting, bolstered by production from Brian Eno, Flood (moving from an engineering to production role), and The Edge, credited as a producer for his first time. The fragmented nature of the album’s production is reflected in the eclectic tracklist which bounces between the multi-movement art-rock of the title track, dancefloor fillers like “Daddy’s Gonna Pay for Your Crashed Car,” and ballads like “For the First Time” and “Stay (Faraway, So Close!)” Unique vocal choices like The Edge’s spoken-word rapping on lead-single “Numb,” Bono’s falsetto on “Lemon,” and a Johnny Cash feature on closer “The Wanderer” help the album feel more varied than U2’s previous material. The album’s lyrics often examine Zoo TV’s concepts of “sensory overload” and technology more explicitly than Achtung Baby.
While U2 are reluctant to acknowledge Zooropa now (likely influenced by the failure of 1997’s Pop, a rushed, mixed bag of an album that stretched audience’s tolerance for 90s U2’s tendency toward electronic music and irony to a Rattle and Hum-like breaking point) the album was successful when it came out. Zooropa debuted at number one in several countries and finished ninth on 1993’s Pazz and Jop poll. It would also go on to win this GRAMMY award for Best Alternative Music album, with Bono shrugging on stage, shouting out Smashing Pumpkins, and promising to “the young people of America” that they will “continue to abuse our position and fuck up the mainstream” in his acceptance speech. (https://youtu.be/-DNXfFy8Ido?t=69)
Will U2 stay the champions in our rate or will they be faraway so close to the top?
Tracklist: Zooropa Babyface Numb Lemon Stay (Faraway, So Close!) Daddy’s Gonna Pay for Your Crashed Car Some Days Are Better Than Others The First Time Dirty Day The Wanderer
Bonus Rate Since this rate is 5 albums instead of the usual 4, a bonus rate has been omitted.

Survivor Series '87 (November 26, 1987 at the Richfield Coliseum in Richfield Township, Ohio):
The Superflying Savage (Jimmy Snuka, Randy Savage, Ricky Steamboat, Brutus Beefcake, and Jim Duggan) (w/Miss Elizabeth) def. The Hart Qunitet (Dangerous Danny Davis, The Honky Tonk Man, Ron Bass, and The Hart Foundation (Bret Hart and Jim Neidhart)) (w/Jimmy Hart) - 5-on-5 Survivor Series Elimination Match (Randy Savage, Ricky Steamboat, and Jimmy Snuka are the Sole Survivors)
The Un-Americans (The Iron Shiek, Nikolai Volkoff, Kamala, Dino Bravo, and Killer Khan) (w/"Classy" Freddie Blassy, Kim Chee, and Mr. Fuji) def. The Animal Kingdom (George "The Animal" Steele, Junkyard Dog, Jake Roberts, and The British Bulldogs (Davey Boy Smith and Dynamite Kid)) - 5-on-5 Survivor Series Elimination Match (The Iron Shiek and Nikolai Volkoff are the Sole Survivors)
The Fabulous Moolah Sisters (The Fabulous Moolah, Sensational Sherri, Donna Christanello, and The Glamour Girls (Leilani Kai and Judy Martin)) (w/Jimmy Hart) def. The Richter Sisters (Wendi Richter, Rockin' Robin, Velvet McIntyre, and The Jumping Bomb Angels (Itsuki Yamazaki and Noriyo Tateno)) - 5-on-5 Survivor Series Elimination Match (The Glamour Girls are the Sole Survivors)
The Ultimate Bam (The Ultimate Warrior, Bam Bam Bigelow, Koko B. Ware, and Strike Force (Rick Martel and Tito Santana)) def. Ax, Smash, and Hammer (Greg Valentine, Butch Reed, One Man Gang, and Demolition (Ax and Smash)) (w/Slick, Jimmy Hart, and Mr. Fuji) (The Ultimate Warrior is a Sole Survivor)
The Hulkamanics (Hulk Hogan, Paul Orndoff, Roddy Piper, Jim Duggan, and Hillbilly Jim) (w/"Superstar" Billy Graham) def. The Heenan Family (André the Giant, Ted DiBiase, Big John Studd, King Kong Bundy, and Rick Rude) (w/Bobby Heenan and Virgil) - 5-on-5 Survivor Series Elimination Match (Hulk Hogan is Sole Survivors)
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Survivor Series '88 (November 24, 1988 at the Richfield Coliseum in Richfield Township, Ohio):
The Barber Warriors (The Ultimate Warrior, Brutus Beefcake, Roddy Piper, Jimmy Snuka, and Ricky Steamboat) def. The Honky Outlaws (The Honky Tonk Man, Ron Bass, Big John Studd, Greg Valentine, and Bad News Brown) (w/Jimmy Hart and Bobby Heenan) - 5-on-5 Survivor Series Elimination Match (The Ultimate Warrior is a Sole Survivor)
Team Powers of Pain (The Powers of Pain (The Warlord and The Barbarian), The Rockers (Shawn Michaels and Marty Jannetty), The British Bulldogs (Davey Boy Smith and Dynamite Kid), The Hart Foundation (Bret Hart and Jim Neidhart), and The Young Stallions (Paul Roma and Jim Powers)) def. Team Demolition (Demolition (Ax and Smash), The Brain Busters (Arn Anderson and Tully Blanchard), The Bolsheviks (Nikolai Volkoff and Boris Zhukov), The Fabulous Rougeaus (Jacques and Raymond Rougeau), and The Conquistadors (Uno and Dos)) (w/Mr. Fuji, Bobby Heenan, Frenchy Marty, and Slick) - 10-on-10 Survivor Series Elimination Match (The Powers of Pain are the Sole Survivors)
Bravo Giants (André the Giant, Rick Rude, Dino Bravo, Mr. Perfect, and Harley Race) (w/Bobby Heenan, The Genius, and Jimmy Hart) def. Hacksaw Vipers (Jim Duggan, Jake Roberts, Ken Patera, Strike Force (Rick Martel and Tito Santana) - 5-on-5 Survivor Series Elimination Match (Mr. Perfect and Dino Bravo are the Sole Survivors)
Rockin' Wendi (Wendi Richter, Rockin' Robin, Velvet McIntyre, and The Jumping Bomb Angels (Itsuki Yamazaki and Noriyo Tateno) def. The Fabulous Sensation (The Fabulous Moolah, Sensational Sherri, Desiree Petersen, and The Glamour Girls (Judy Martin and Leilani Kai) (w/Jimmy Hart) - 5-on-5 Survivor Series Elimination Match (Velvet McIntyre is a Sole Survivor)
The Mega Powers (Hulk Hogan, Randy Savage, Koko B. Ware, Hercules Hernandez, and Hillbilly Jim) (w/Miss Elizabeth) def. The Twin Towers (Big Boss Man, Akeem, Ted DiBiase, Haku, and The Iron Sheik) (w/Slick and Virgil) - 5-on-5 Survivor Series Elimination Match (Hulk Hogan and Randy Savage are the Sole Survivors)
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Survivor Series '89 (November 23, 1989 at the Rosemont Horizon in Rosemont, Illinois):
The Ultimate Warriors (The Ultimate Warrior, Ronnie Garvin, and The Rockers (Shawn Michaels and Marty Jannetty)) def. The Heenan Family (André the Giant, Haku, and The Brain Busters (Arn Anderson and Tully Blanchard)) (w/Bobby Heenan) - 4-on-4 Survivor Series Elimination Match (The Ultimate Warrior is a Sole Survivor)
The King's Court (Randy Savage, Dino Bravo, and Rhythm and Blues (The Honky Tonk Man and Greg Valentine)) (w/Sensational Sherri and Jimmy Hart) def. The 4x4s: (Jim Duggan, Hercules Hernandez, and The Hart Foundation (Bret Hart and Jim Neidhart)) - 4-on-4 Survivor Series Elimination Match (Randy Savage is a Sole Survivor)
The Dream Team (Dusty Rhodes, Brutus Beefcake, The Red Rooster, and Tito Santana) def. The Enforcers (Big Boss Man, Bad News Brown, Rick Martel, and Canadian Earthquake) (w/Slick and Jimmy Hart) - 4-on-4 Survivor Series Elimination Match (The Dream Team (Clean Sweep))
The Rude Brood (Rick Rude, Mr. Perfect, and The Fabulous Rougeaus (Jacques and Raymond Rougeau)) (w/Bobby Heenan, The Genius, and Jimmy Hart) def. Roddy's Rowdies (Roddy Piper, Jimmy Snuka, and The Bushwhackers (Luke and Butch)) - 4-on-4 Survivor Series Elimination Match (Mr. Perfect is a Sole Survivor)
Wendi's Girlfriends (Wendi Ritcher, Rockin' Robin, and The Jumping Bomb Angels (Itsuki Yamazaki and Noriyo Tateno)) def. The Moolah Sisters (Sensational Sherri, Velvet McIntyre, and The Glamour Girls (Judy Martin and Leilani Kai)) (w/Jimmy Hart and The Fabulous Moolah) - 4-on-4 Survivor Series Elimination Match (Wendi Ritcher and Rockin' Robin are the Sole Survivors)
The Hulkamaniacs (Hulk Hogan, Jake Roberts, and Demolition (Ax and Smash)) def. The Million Dollar Team (Ted DiBiase, Zeus, and The Powers of Pain (The Warlord and The Barbarian)) (w/Virgil and Sensational Sherri) - 4-on-4 Survivor Series Elimination Match (Hulk Hogan is the Sole Survivor)
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​
Survivor Series '90 (November 22, 1990 at the Hartford Civic Center in Hartford, Connecticut):
The Warriors (The Ultimate Warrior, The British Bulldog, Kerry Von Erich, and The Legion of Doom (Animal and Hawk)) def. The Perfect Team (Mr. Perfect, The Mountie, and Demolition (Ax, Smash, and Crush)) (w/Jimmy Hart, Mr. Fuji, and Bobby Heenan) - 5-on-5 Survivor Series Elimination Match (The Ultimate Warrior is a Sole Survivor)
The Million Dollar Team (Ted DiBiase, The Brooklyn Brawler, The Undertaker, and Rhythm & Blues (Honky Tonk Man and Greg Valentine)) (w/Virgil, Brother Love, Mr. Fuji) def. The Dream Team (Dusty Rhodes, Koko B. Ware, Roddy Piper, and The Hart Foundation (Bret Hart and Jim Neidhart)) - 5-on-5 Survivor Series Elimination Match (Ted DiBiase is a Sole Survivor)
The Visionaries (Rick Martel, Randy Savage, The Warlord, and Power and Glory (Hercules Hernandez and Paul Roma)) (w/Sensational Sherri and Slick) def. The Vipers (Jake Roberts, Jimmy Snuka, Ricky Steamboat, and The Rockers (Shawn Michaels and Marty Jannetty)) - 5-on-5 Survivor Series Elimination Match (The Visionaries (Clean Sweep))
The Hulkamanics (Hulk Hogan, Jim Duggan, Big Boss Man, Tugboat, and Brutus Beefcake) def. The Natural Disasters (Earthquake, Haku, The Barbarian, Dino Bravo, and Rick Rude) (w/Jimmy Hart and Bobby Heenan) - 5-on-5 Survivor Series Elimination Match (Hulk Hogan is a Sole Survivor)
The Alliance (Nikolai Volkoff, Ronnie Garvin, Tito Santana, and The Bushwhackers (Butch and Luke)) def. The Mercenaries (Sgt. Slaughter, The Iron Sheik, Boris Zhukov, and The Orient Express (Sato and Tatanka)) (General Adnan and Mr. Fuji) - 5-on-5 Survivor Series Elimination Match (Nikolai Volkoff and Tito Santana are the Sole Survivors)
Team Hogan (Hulk Hogan, The Ultimate Warrior, Tito Santana, and Andre the Giant, Nikolai Volkoff) def. Team DiBiase (Ted DiBiase, Randy Savage, Zeus, and Power and Glory (Hercules Hernandez and Paul Roma)) (w/Virgil and Slick) - 5-on-5 "Grand Finale" Survivor Series Elimination Match (Hulk Hogan, The Ultimate Warrior, and Andre the Giant are the Sole Survivors)
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​
Survivor Series '91 (November 27, 1991 at the Joe Louis Arena in Detroit, Michigan):
Team Flair (Ric Flair, Mr. Perfect, The Mountie, Ted DiBiase, and The Warlord) (w/Bobby Heenan, Slick, and Jimmy Hart) def. Team Piper (Roddy Piper, The British Bulldog, Virgil, and The Hart Foundation (Bret Hart and Jim Neidhart)) - 5-on-5 Survivor Series Elimination Match (Ric Flair is a Sole Survivor)
Team Savage (Randy Savage, Sgt. Slaughter, Kerry Von Erich, Tito Santana, and Ricky Steamboat) (w/Miss Elizabeth) def. Team Roberts (Jake Roberts, The Iron Sheik, Sid Justice, and Demolition (Smash and Crush)) (w/Mr. Fuji, General Adnan, and Harvey Wippleman) - 5-on-5 Survivor Series Elimination Match (Team Savage in Clean Sweep)
The Legion of Doom (Animal and Hawk) (c) (w/Paul Ellering) def. The Natural Disasters (Earthquake and Typhoon) (w/Jimmy Hart) by Disqualification - WWE Tag Team Championship Match
Team IRS (Irwin R. Schyster, The Nasty Boys (Brian Knobbs and Jerry Sags), and The Beverly Brothers (Beau and Blake Beverly)) (w/Jimmy Hart and The Genius) def. Team Boss Man (Big Boss Man, The Rockers (Shawn Michaels and Marty Jannetty), and The Bushwhackers (Luke and Butch)) - 5-on-5 Survivor Series Elimination Match (The Nasty Boys are the Sole Survivors)
The Undertaker (w/Paul Bearer) def. Hulk Hogan (c) by Countout - WWE Championship Match
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​
Part 2 is coming soon (Survivor Series 1992 to Survivor Series 1996).

Because my life situation currently is limited on time I can use an actual amp, I began running my board into my scarlet solo with an amp sim plug-in. Sounds fine. However, I’ve noticed that the time it takes to set it up (get my laptop, plug everything in), paired with the distractions of a computer has led me to stop playing as much. I would like to be able to go straight into my board and then into headphones, but I still want it to sound great. I’ve been researching the UA Dream/Ruby, Iridium, IR-200, etc and was close to pulling the trigger on the Ruby but I’m wondering if there’s a cheaper way? I really want the Ruby as a 1 trick pony as a clean platform (my real amp is a super reverb). It seems like some of the magic is using IR’s so it got me thinking -
What would it be like if my chain was something like this:
Guitar > pedalboard > IR Loader > Headphone amp.
Has anyone tried this? I’m specifically looking at the old blood noise headphone amp paired with the TC Electronic IR loader. Do I need some type of “preamp” pedal or an EQ pedal? Or does my pedalboard serve as that? (I do not currently run an EQ on the board) Do I just get the Ruby? If the Ruby actually had a headphone out I would have pulled the trigger, but I need to get a headphone amp or powered interface (the scarlet runs on bus only) to use it with headphones.

Hey all! I'm a smart, energetic, naturally curious, and very adventurous guy, and I'm looking for a woman to enjoy some fun experiences with! I've always tended to go for women older than me. I have no limits on age and would love to find an older woman to explore and grow with, both sexually and otherwise! I'll bring energy and enthusiasm, you bring the experience and wisdom :D
For a start I'd mainly be interested in some fun dates and a FWB-type situation however I'm also not opposed to something serious if the vibe is right! I have lots of interesting and cool date ideas, and in general I'm a very outgoing guy who just loves trying new things and exploring - let's visit a cool new gallery or museum, explore some new green space around London, or try out that restaurant you've been seeing everywhere on Instagram :)
Looks wise I'm tall, 6" 4', slim, fairly athletic, I run in my spare time so I have nice legs. I'm South Asian, with brown skin, brown eyes, and luscious long black hair. Happy to swap pics if things go well. I'm a big metalhead and look the part too - if you like guys with leather jackets, long hair, band shirts, and boots, then I'm your man!
In general I'm a very sociable and outgoing person - I love meeting new people, chatting and getting to know people, and I love conversation! Love to talk about how your day went, your hopes and dreams, your favourite band, or whether there's an afterlife (well, is there?)
Personality wise I'm very open minded, laid back, chilled out, and easy going. Love trying new experiences and learning about just about anything! I'm a scientist in my day job and general nerd, and in my spare time I'm mad about music, love concerts, collecting records, and playing the bass guitar. I also love cooking, keen football fan (DM me to find out which team I support!) and love watching F1 as well. Keen on long walks by the river and I enjoy running in my spare time as well.
Fully jabbed and DDF so no worries there!
I'm looking for my Midnight Queen - message me if you'd like to chat :D

WTT:
Delay/Reverb

• Dwarfcraft Treeverb
  
• Walrus Slotva (LE National Parks)
  
• Boss DSD-3 Digital Delay/Sampler
  
• Hungry Robot Borderland (lite)
  
• Wampler Reflections
  
• Behringer VD400 Vintage Delay
  

Dirt

• Pro Co Rat LE Ikebe White
• Zoom Driver 5000
• Digitech Screaming Blues
• Boss MT-2 (Twilight Zone Mod)
  
• Guyatone Distortion Limited
  
• Behringer TO300 Vintage Tube Overdrive
  

Modulation

• Dwarfcraft Wizard of Pitch
• Demedash T-60 (feeler)
  
• DOD Phasor 201 (70’s Grey and Yellow)
  
• EQD Night Wire V2
  
• Swindler Red Mountain Tremolo (V1 LE)
  
• Subdecay Tremcoder
  
• TC June 60
  

Other

• Boss VT-1 Voice Transformer
• EHX Superego (send/returns don't work)
• Boss RC-3 Loop Station
• Korg Kaoss Pad Mini KP

WTTF:

• Signal Blender, Weird Delays, Reverbs, Modulation, Auto Filters, Utility Pedals, Signal Blender, Iso Power
• HX 8 Step, Intelligent Harmony Machine, String 9, Bass 9, C9, Grand Canyon
  
• CBA Tonal Recall, Dark World, Habit
  
• Boss RE-202, MD-200, RE-2, SL-2, DF-2
  
• EQD Afterneath V3
  
• Line 6 DL4 MKII
  
• Neunaber Seraphim
  
• OBNE Excess V2, Dweller
  
• Montreal Assemble PurPLL
  
• Malekko Charlie Foxtrot
  
• Polarbear Petrichor
  
• Red Panda Tensor
  
• Pladask Draume
  
• Gamechanger Bigsby, Plus, Plasma Coil
  
• Intensive Care Recover Phase, Fideleater
  
• Something I don't know I want